Parker McCollum
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Parker McCollum & Corey Kent

Date: Apr 04, 2024
DOORS AT 6:30, SHOW AT 7:30
Don't miss your chance to see Parker McCollum and Corey Kent at the Taylor County Expo Center on April 4, 2024!
Ticket Info:
Sections C-E, CC-EE, V-X and VV-XX are $51.50 + $8 service fee, all seats reserved.

Sections F-G and T-U are $41.50 + $8 service fee, all seats reserved.

Sections H-S, HH-JJ, RR-SS are $31.50 + $8 service fee, all seats reserved.

Sections LL-PP are $26.50 + $8 service fee, all seats reserved.

Sections KK and QQ are $21.50 + $8 service fee, all seats reserved.

The Floor is $36.50 + $8 service fee, all general admission, no chairs.

One dollar of every Parker McCollum ticket sold will be donated to the Ruger Fund.

Platinum Tickets are tickets that are dynamically price up and down based on demand. Platinum Tickets are not part of VIP packages - they are tickets only.

All tickets ordered online will be emailed. All tickets ordered over the phone will be emailed or held at the box office. No tickets will be mailed.

There are no exchanges or refunds on tickets. All sales are final.

Don't miss your chance to see Parker McCollum and Corey Kent at the Taylor County Expo Center on April 4, 2024!

About Parker:

Singer/songwriter and multi-instrumentalist Parker McCollum released Never Enough, a statement album that cements his status as one of country music's undeniable new stars, on May 12 via MCA Nashville. Along with headlining his own tour this summer, McCollum will play stadiums with Morgan Wallen on Wallen's One Night At A Time World Tour. McCollum has been named an 'Artist to watch' by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, "The Texas native teeters on the edge of next-level superstardom." MusicRow listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him and one of their all-genre "Up Next Artists" Class of 2021. A dedicated road warrior, McCollum made his debut at the famed Grand Ole Opry in 2021 and he already sells out venues across the country (over 40 sold out shows nationwide in 2021) including record-breaking crowns in Dallas (20,000), The Woodlands (16,500), Austin (7500+), Lubbock (7700+), Jackson, MS (5000+), Kearney, NE (3000+), Nashville's Ryman Auditorium, and three nights at Fort Worth's iconic Billy Bob's Texas. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold, returning to preform at the Opening Day Celebration in 2023. He recently made a dream come true with his first-ever Austin City Limits performance, kicking off their 2023 season. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home "Breakthrough Video of the Year" (a fully fan-voted honor) at the 2022 CMT Music Awards, and scored his first-ever nomination in the New Artist of the Year category at the 56th CMA Awards. For more information, visit

About Corey:

Not long ago, Corey Kent’s music career seemed like it was headed in the wrong direction. A couple of start/stops and the need to take care of his family, Kent put music on the back burner all while knowing he’d be back. But now, fueled by a return to his roots, a breakout hit, and doing what he does best, performing live, he’s hitting the Blacktop again. Marking his debut album for Sony Music Nashville, that Blacktop title nods to the key themes of this rising star’s life … and to the long journey that lies ahead. After 15 years of paying dues, he now boasts a Platinum-certified hit, “Wild as Her,” over 250 million career streams, a massive social following and next-big-thing accolades from across the industry – plus a heartfelt fusion of country honesty, raw Red Dirt power and live-performance passion. Looking back now, it’s a trip that has made Kent a legitimate road warrior, a radio hit maker and a compelling songwriter, but his destination wasn’t always clear. “I think my path has been so winding to get here, that if this would've happened five years ago, I wouldn't have had the ability to appreciate it like I do now,” Kent explains. To hear him tell the story, his route has twisted and turned, and even put him in the ditch. But he’s still got the hammer down. A native of Bixby, Oklahoma, that attitude just comes natural. A fan of anyone bold enough to walk their own path, Kent grew up on the music of independent-thinking stars like Randy Rogers Band, Turnpike Troubadours, and even Willie Nelson – unconventional Texas/Oklahoma legends who toured hard, took creative chances and weathered all storms. And right from the start, he followed their lead. Learning the road life early, Kent was just 11 when he joined a touring Western Swing group, traveling the country at the front of a “working class” band brothers for five years before they finally dissolved. Still in high school and unsure of what came next, he nearly quit entirely – but after a chance encounter of being pulled out of the audience and joining Willie Nelson on stage, he was inspired to start writing songs, a new path emerged. At age 17, he moved to Tennessee, hit the pavement and scored a publishing deal. And then the bottom dropped out. Back then Kent was writing songs like he heard on the radio, he explains, and although his hard-working spirit made him a welcome sight in co-writes (and a stranger at home), he admits his heart wasn’t in the Music City scene. Kent was dropped from his deal, in early 2020, and moved the family to Texas for a better work/life balance … we all know what came next. “My wife and I looked at each other like, ‘This is gonna be twice as hard, but we're gonna figure it out and let God handle the rest,’” he says. “And as soon as we got there, the whole world shut down.” His plans ruined, Kent was faced with a choice. He could either collect unemployment or pick up a job – and he chose the latter. Hired by a paving company (owned by his wife’s grandfather), he began sweating it out under the brutal Texas sun, and learning all aspects of the business. It went on for two years, with the young talent earning a new appreciation for the life he wrote songs about. And all along, he refused to give up. In his spare time Kent kept writing, and each Friday after work he’d sit on a stool and sing songs at a Mexican restaurant. While still working at the pavement company he recorded “Wild as Her” and knew he needed to make recording his own music again a priority. Tapping the free spirit within us all, it was peppered with dark distortion and delivered by Kent’s smoldering vocal rasp, and soon went viral. “It connected with people,” Kent explains. “Whether they were living that wild life or not, it hit 'em in the soul.” Two years of explosive growth followed, as Kent used the organic hit to take the band beyond Texas and Oklahoma. Leaning into his early days, it was a hand-picked brotherhood – not a gun-for-hire outfit of Nashville mercenaries – and together, they’ve earned a reputation for electrifying live shows, a true Red Dirt act rooted in individuality, but with coast-to-coast (if not global) appeal. And that’s the reputation he intends to keep. “You can't fake a live show,” Kent explains. “It has to actually be something you love, and my passion is out there. My passion is that rush you get whenever you have a moment with a crowd in a city you’ve never been in, and they're screaming every word of a song. That's the high I'm chasing.” His Blacktop debut builds on that attitude, designed for the stage and infused with fast-lane passion. Working with “mad scientist” Jay Joyce (Eric Church, Miranda Lambert, Brothers Osborne) and Chris Farren, the 10 songs capture Kent’s drive, resilience and optimism, all filled with his unique Red Dirt-meets-Music City balance and set in the Texas/Oklahoma experience.

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